Showing posts with label Dave. Show all posts
Showing posts with label Dave. Show all posts

Wednesday, April 4, 2012

Barfly Prom Bus, Bachelorettes


This one's by Dave...

While you were at home wondering if you should actually read the Game of Throne books or just watch the first season again, you missed another epic night at Slabtown. Barfly was coming in around 7 for some woman’s birthday and it was a 90s prom theme. I went to work immediately to create a playlist of 90s hip hop and pop music that reminded me of all the times I got locked inside my locker. We’re talking Sir-Mix-A-Lot, MC Hammer, Boys II Men, Bell Biv DeVoe, Wreckx-N-Effect along with Jesus Jones, Pearl Jam, 4 Non Blondes and that 500 Miles song by the Proclaimers. I can tell – you’re really excited.

Dietz came in to help me out and we made sure we were ready. The bus pulled up and the people came piling in. It looked about 50 people were waiting for drinks. I had the barfly hostess, Natalie, show me who the birthday girl was, and I had that gal stand on the bar as I crowned her Princess of the Prom. Natalie was wearing the best prom dress with sequins and everything, though, so I gave her the King of the Prom crown.

They were a cool crowd and I watched them play some sort of scavenger hunt. One woman did a handstand in front of Dietz and I at the bar in her skirt. Dietz and I were impressed. Then I tried challenging them to breakdance contest, but luckily for me they did it themselves on the stage. I saw the worm, the Robocop and a little popping from these two girls.

As they piled out a group of young ladies came in with nametags on. Dietz and I looked at each other and smirked: Bachelorette party. I told them that Dietz and I would strip for them, but they were a little shy, even after I offer to do it for no tips. They obviously wouldn’t be able to handle such Adonis’ as Dietz and I, so they went nude-bartender-free for the evening.

You guys should check out barflymag.com to see about their buses, because they look like they know how to have fun, and you get to stop by Slabtown.

Tuesday, April 3, 2012

What You Missed, 4/2/12: The ClydeFest

Last night, while you were at home watching "How I Met Your Mother" on TV, the staff of Clyde Common (aka, the Common People) brought the motherfuckin' ruckus to Slabtown. Five bands, each with at least one member who works at Clyde Common, including PALE HORSE, WHALES, ATROCITY EXHIBITION, DEFECT DEFECT, and AUTISTIC YOUTH. Sorry for yr loss...

I'll say from the beginning that my sleep's been off, so I walked into this one so tired I was already clumsy, a little grumpy. And, things didn't start well. The turntables weren't working and the DJ didn't show. There are five bands and they all show up at once. I want to be friendly but it's excruciatingly boring to have to hand out that many drink tickets.

But bands like PALE HORSE always manage to get me out of myself a little bit. This was probably their third or fourth show, and they're still coming into their own as a band. That makes me smile because I remember going to see AUTISTIC YOUTH when they were still that green, and having them on the same bill kinda highlights that potential. Which isn't to say that they aren't already good, because they are. I'm just really looking forward to seeing who they become as a band after they've been playing for a while.

WHALES were up next and played a solid set. Heavy, hard rock, overdriven bass, screaming vocals. Dave really got into these guys because they're such awesome musicians. I got into their cool equipment (some one-of-a-kind bass amp fro Seattle), and their guitarist (who was apparently playing just his third show with them). But I don't really think they got me. After their set, as they were unloading, someone mentioned that the drummer was one of the meatcutters at Clyde Common, and I was like, "Cool. I used to be a meatcutter. Maybe this guy can answer some of the nagging questions about meat that I've had for the last 18 years." So, as he's loading out I ask him, "Hey, what's the difference between a steak and a chop?" But I don't think he realized I was serious because he just kinda looked at me and walked away.

This was also when I decided that if I had a bunch of employees of the CC at Slabtown I could maybe get some pointers from them about how to make my business more successful.

"So, what's Clyde Common's greatest strength?"

"Precision and volume. I've never worked anyplace where a kitchen could be so busy and still do everything perfectly."

"Yeah, but this is fucking Slabtown. We don't do that shit here."

I'm not sure what was taking ATROCITY EXHIBITION so long to get set up (It's a very small keyboard, after all.), but by the time they were ready to play I was getting bored again and was seriously asking myself what's the worst that could happen if I set off a bunch off firecrackers inside. But, thank the effing gods for bands like ATROCITY EXHIBITION. There was a time in PDX when on any given night you could go see incredible indie rock live--HEATMISER, THIRTY-OUGHT SIX, HAZEL, QUASI, SKIPLOADER (Okay, I was kidding about that last one.). That's where we are with the post-punk right now, and I'm loving it. ATROCITY EXHIBITION, ARCTIC FLOWERS, THE ESTRANGED, DEAD CULT, CONFESSIONS, BLANK STATION. God, I can't wait for Ian Curtis Day.

And, I think ATROCITY EXHIBITION's set was the watershed moment of the night. Because, while the post-punx and punx were standing around staring at their feet, the Common People started getting a little loose. They're out on the dance floor in heels and jeans or a tie and a blazer, spilling drinks and pogoing. They're taking photos like they're on vacation in Thailand. By the time DEFECT DEFECT plays, a miniature pit keeps appearing and disappearing, led by a lady in a low-cut silk shirt. When AUTISTIC YOUTH start come on, the Common People go fucking apeshit.

I love the chaos, those unpredictable moments when everything is about to fall apart. The absolute highlight of my night was when all the Common People started slam dancing and throwing each other around the dance floor. I'm behind and at the side of the stage, and as I look out I realize that they are careening back and forth between two tables full of empty glasses. I jump into the crowd and start grabbing armfuls of glasses and handing them to random people. "Get them out of here!!!" I love the sound of breaking glass; I don't love pools of blood on the dance floor.

After the show, I got the chance to meet one of CC's owners (I'll take a stab at it and say it was Matt, but I missed the introduction.). He tells me about Colin's work ethic, and I tell him about the time I attacked Colin during an OBSERVERS show, biting him and trying to tear his clothes off. I don't tell him that I almost made the staff clean the bathrooms twice before the show because our wealthy neighbors were coming over to visit.

Blake from AE is buying rounds for his coworkers, and I set them up with line of Bulleit rye shots when someone yells at me to set them on fire. Those are the magic words to start Slabtown's "Two-Minute Coyote Ugly." I'm immediately up on the bar, dancing across it and spilling more rye into their shot glasses. People start yelling at me to take it off, and there's a very brief moment when I could've walked away from what happened next. But then Jodi waves a dollar at me, puts it in my pocket, and we've gone over the water fall.

I'm shaking rump and peeling my shirt off. "Is this what you want, baby?" (Truth be told, in my mind, I'm hoping it is what they want; I'm the only guy at Slabtown who isn't getting paid right now, and a dollar's a dollar.) I do my best to dance my way down from the bar and towards the dollars, shirt off but still hiding my b-b-b-b-boobies. Melody from CONFESSIONS tells me to "make a cleavage" for her to put her dollar in. I corner some poor schmuck who wants to give me a dollar but can't bring himself to actually put it in my belt. I'm yelling "C'mon, baby, put the dollar in the hole!" at him repeatedly and rubbing my belly while he backs away from me, one hand over his eyes the other waving the dollar.

Afterwards, I ask Mikey from DEFECT if maybe I'd crossed the line into creeper.

"Knowing you, I'd say no. But if someone came up to me and said, 'Wow, that was a little creepy.' I'd have to say, 'Well, yeah, I guess you're right.'" Fair enough.

The signature drink, the Autistic Youth, was a well whiskey-and-ginger with lime. De-li-cious.





Tuesday, March 27, 2012

I Don't Like Martini Glasses.

It's the night before we open, and me and Benny and Dietz and Dave are sitting around looking at a wall full of unopened bottles. Mike's flipping me shit about how I still need to go out and buy more bar glasses before we open, and he says something about how we only have two martini glasses and I lose it.

"Know what? I fucking hate a martini glass! They're fucking bullshit! You can't stack 'em and they're fucking weak!" I take one of the two remaining martini glasses and throw it across the room. It misses Dietz's face by a couple inches. "You know what? I'm getting rid of them. Someone asks for a martini? You give it to 'em. You serve it up in a bucket, and you tell 'em, 'Here's your drink. You're gonna get it in a bucket and you're gonna like it. We hate martini glasses here. This is fucking Slabtown. We don't do that shit here.'" And we take the last of the glasses and serve it up to Dietz baseball style so he can hit it with a chair.

It's literally two minutes after opening on our first day when someone orders a lemon drop. Jodi and Damon are working behind the bar, and just look at me. I go off.

"Lemon drop? I fucking love a lemon drop! But you know what? We don't have any martini glasses here. You know why? Because I hate a fucking martini glass! I took 'em and smashed 'em. Threw 'em across the room and almost hit my bartender in the face. This is fucking Slabtown. We don't do that shit here. You'll get your lemon drop in a bucket, and you'll like it."

She's looking at me like I'm one part idiot and one part psycho, but her boyfriend thinks this is this best thing he's ever heard.

"That's awesome. It's a fucking bucketini! I'm yelping that shit right now!" He's got his phone out, but he never yelped it. I checked.

A couple days later, Godfather Mike catches me eyeing the wine glasses the same way I used to look at the martini glasses. He manages to convince me--for the moment--that the wine glasses are useful and necessary, but I don't know. In my heart of hearts, I don't like them.